The Kirsten Project | Girls’ Dresses of the Mid 19th Century

Girls mid 19th.jpg

In the late 1820s, women’s fashion shifted from the once high empire waistlines (think Jane Austen era) back down to the natural position. From then until the 1860s, details like sleeves and necklines morph and change, but not as drastically as before or after that time period. A small waist and a wide skirt are the hallmarks of the better part of the 19th century. For children and young teens, one of the popular dress silhouettes we see relatively unchanged from 1820-1870 is the open neck, short sleeve, knee length dress as shown above and below.

It makes sense that if I dress isn’t threadbare by the time the wearer outgrows it, it would be passed on to a younger child. Our ancestors were pretty good at making precious clothing last and unlike today, nothing was disposable. Even the most ratty fabric could be recycled and sold to the Rag and Bone man, who would in turn sell it to a factory to be remade into new (albeit low quality) fabric, called shoddy.

So while women’s sleeves, waist shapes (flat versus pointed) and necklines shift, we see at least one girl’s silhouette remain relatively static. This style of dress, characterized below, is what I imagine a historical version of Kirsten’s birthday dress might be:

  • Wide Neckline

  • Gathered Bodice into Waistband

  • Short Sleeves

  • Knee to Mid Calf Length Hem

I have seen examples of this style of dress worn plain or layered over a undersleeves with a chemisette or a blouse. Sometimes the pantelettes are matching, but primarily they are white. Accessories like lace gloves appear on upper class children.

It should be mentioned that this isn’t the only girls’ dress silhouette of the mid 19th century, but it is very common. For my costume, I’ve chosen an adult silhouette that echos some of these style details (here’s an early sketch!) Do you see something in these images that reminds you of Kirsten’s birthday dress?

The Kirsten Project | Happy Birthday, Kirsten!

Kirsten Birthday 3.jpg

It’s a new year and it’s time for another edition of The Kirsten Project! I’ve already recreated her looks from Meet Kirsten, Kirsten’s Surprise and Changes for Kirsten and for this version, I’m taking inspiration from Happy Birthday, Kirsten!


LITTLE JESS around age 10, wearing a mom-made birthday dress and apron, a gift I received for my own tenth birthday, just like kirsten!

LITTLE JESS around age 10, wearing a mom-made birthday dress and apron, a gift I received for my own tenth birthday, just like kirsten!

The mission of The Kirsten Project is to study and recreate each cover illustration and corresponding outfit through a cultural and historical lens. I’m not doing a carbon copy - rather using the Pleasant Company books and material culture together with research such as fashion plates, extant dresses and daguerrotypes to inspire my costumes.

In my first three outfits I stayed pretty close to the Pleasant Company source material, making allowances for style differences between girls and women (primarily making the skirt hems longer) and my fabric choices (for example, for my Meet costume I used the color story in a print I designed to scale better for an adult dress).


ORIGINAL COVER OF HAPPY BIRTHDAY, KIRSTEN! by Janet Shaw, ILLUSTRATED by RENÉe Graef

ORIGINAL COVER OF HAPPY BIRTHDAY, KIRSTEN! by Janet Shaw, ILLUSTRATED by RENÉe Graef

This time, I’m planning on taking a slightly new approach to Kirsten’s springtime dress. As you can see in the gorgeous cover art illustrated by Renée Graef, she wears a puffed sleeve pink gingham dress with a white pinafore, red boots and flower crown.

If you look at each of the first four historical characters’ birthday dresses, a common thread is the feminine and fluffy style. For example, Felicity, Kirsten and Samantha all wear pink dresses with aprons or pinafores layered on top and flowers in their hair. The original American Girls, Kirsten, Samantha and Molly all have some sort of gathering or ruffles on their dresses. And yet, of all of those four characters, because of her circumstances (penniless immigrant pioneer farm daughter), Kirsten would have probably been least likely to get a special dress just for her birthday, or even just for the spring season. I know I know. Part of the fun of the American GIrl books and dolls are new occasions and the special new outfits but if history is speaking, it’s unlikely Kirsten would have enjoy such an ensemble. And yet, the costume still reflects to the era and I’m so excited to show you how I plan to interpret this into my costume.

Birthday.jpg

So here’s how this edition is going to be different…

I’ve spent a lot of research time on the everyday practical dresses of the mid 19th century, so I’d like to change lanes and use the cover look of Happy Birthday, Kirsten! to explore the fashion trends of the 1850s. I’ll stay true to the pink and white color scheme but interpret Kirsten’s childlike silhouette into something that a stylish adult woman could have worn.

In the next few weeks I hope to source and order the 8-12 (!!!) yards of fabric I need for the dress I’ll be creating, plus flowers, boots, accessories, and baby kittens (jk). My previous costumes were made thanks to the very generous financial support of my friends and readers and if you’ve enjoyed my work, I’d really love your backing on this edition too. It means so much to me to have your words of encouragement and patronage on this project!

You can chip in any amount via venmo.com/jessicajquirk or paypal.me/whatiwore

Between now and the final costume reveal, I’ll be posting my research here on my blog, which will aim to give background context to the choices I’ve made in the end look. Thanks for joining me with The Kirsten Project! I’ve loved every second of planning, creating and sharing it with you!

My original copy of happy Birthday, kirsten! with my original pleasant company doll’s dress. the flower crown is homemade.

My original copy of happy Birthday, kirsten! with my original pleasant company doll’s dress. the flower crown is homemade.

The Kirsten Project | Kirsten's Surprise

Kirsten's Surprise, Saint Lucia's Day, 1854 by Jessica Quirk
Kirsten's Surprise Saint Lucia Day by Jessica Quirk

Night walks with a heavy step
Round yard and hearth,
As the sun departs from earth,
Shadows are brooding.
There in our dark house,
Walking with lit candles,
Santa Lucia, Santa Lucia!

Night walks grand, yet silent,
Now hear its gentle wings,
In every room so hushed,
Whispering like wings.
Look, at our threshold stands,
White-clad with light in her hair,
Santa Lucia, Santa Lucia!

Darkness shall take flight soon,
From earth's valleys.
So she speaks
Wonderful words to us:
A new day will rise again
From the rosy sky…
Santa Lucia, Santa Lucia!

Kirsten St Lucia.jpg

Good Yule, everyone! In preparation for Lucia’s Day this Friday, December 13th, I’ve recreated Kirsten’s holiday look from Kirsten’s Surprise. If you’re new around here, let me tell you more about my project! I’m recreating the cover looks from my favorite girlhood fictional character - American Girl Kirsten Larson, a Swedish immigrant to American in the mid 19th century.  I’m researching each of her main outfits through a historical and cultural lens, doing my best to guess what the designers at Pleasant Company referenced when they developed her character. So far, I’ve recreated my historically accurate take on Meet Kirsten and Changes for Kirsten and posted those looks plus my background research here on my blog. Check out my inspiration board for Santka Lucia throughout history here. 

I’m more focused on how the holiday tradition has evolved in Sweden than the Catholic origins, but if you’re into that, I encourage you to read up on it! In Sweden each town or school elects one little girl to play the part of Lucia and lead a procession. School is closed early that day so families can celebrate together (does that mean adults get out of work early too?) In some places there are bond fires to ward off evil spirits, which sounds pretty pagan to me! In Kirsten’s family, Saint Lucia’s Day is the start of their Christmas season. 

From the Sweden.se website:

The first recorded appearance of a white-clad Lucia in Sweden was in a country house in 1764. The custom did not become universally popular in Swedish society until the 1900s, when schools and local associations in particular began promoting it. The old lussegubbar custom virtually disappeared with urban migration, and white-clad Lucias with their singing processions were considered a more acceptable, controlled form of celebration than the youthful carousals of the past. Stockholm proclaimed its first Lucia in 1927. The custom whereby Lucia serves coffee and buns (lussekatter) dates back to the 1880s.

Kirsten’s holiday outfit was worn on Saint Lucia’s Day, a solstice celebration on the darkest day of the year (when the Feast of Saint Lucia became a popular holiday in Scandinavian countries, the Julian calendar was still in use, which is why Lucia’s Day falls on the old winter solstice, December 13th, and not the modern one using the Gregorian calendar, on December 21st). The eldest daughter in each family would go room to room in the early morning hours, wearing a white gown, red sash and lit crown with baked treats and hot coffee saying “Saint Lucia invites you to breakfast!” When I was a young girl, my own dad helped me make Swedish rice porridge for breakfast (using the first Pleasant Company cookbook!) and I’m so excited to make it again this week for our little family celebration!


Saint Lucia’s Crown

Crown of Saint Lucia Kirsten's Surprise Saint Lucia Day by Jessica Quirk

There really is something awe inspiring about a crown of lit candles - I felt like a goddess carefully balancing it atop my head! 

Crowns of flowers and foliage have been worn during times of celebration across cultures and millennia. Think of ancient Greeks and their laurel wreaths or the olive leaf crowns given to olympians. In the mid 19th century Queen Victoria popularized flower crowns after she wore one at her 1840 wedding to Prince Albert. 

Lucia’s Day crowns are can be left plain or decorated with evergreen lingonberry branches and berries. I mixed a few different faux greens together and wired them around the base with floral wire. I considered fresh leaves, but I hope to bring this same crown out for the holidays year after year (eventually Beatrix will wear it!) so faux it is! Lastly I placed six inch white candles in their holders. The number of candles seems to vary depending on the structure of the crown base (and associated symbolism), but Kirsten has six candles in hers, so that’s what I went for as well!

When I started planning my crown, I knew I’d need to go further than the grapevine wreath Kirsten and her cousin fashion in the book. Aesthetics aside, my main goal was to keep all of my candles upright at the same angle and well secured to avoid any wax burns. (Be smart about using candles in any setting; lit candles should be out of reach (and off the heads) of small children)

Here’s how I made my crown as safe as possible:  first I created a paper template by tracing one of my wooden hat blocks. Once I had the perfect fit, I transferred that oval shape to thin plywood and cut it out using a band saw.  Next, I drilled holes around the crown to snuggly fit the thrifted candle holders (which were mounted to dowel rods). It sounds a little more complicated than it actually was and only took 20 minutes from first cut to drying in clamps. Check this out to see what I mean. After the base was dry, I gave it a quick coat of dark spray paint so the light wood tones wouldn’t show through. 

Kirsten's Surprise Saint Lucia Day by Jessica Quirk

Gown and Sash

The white gown and red sash worn by the girl portraying Saint Lucia represents the Catholic symbols purity and martyrdom. 

For my dress I actually made two separate pieces - a blouse and petticoat that I can re-wear with other costumes (a white nightgown seems to be the garment of choice for many girls throughout history). In true pioneer fashion I’m practical AF. My blouse is the same bodice and sleeves as my Meet Kirsten dress, which is based on an extant dress from the 1850s. I made mine unlined with the hope that I might pair it with vintage Levis for modern wear too! The original dress had a very slight overlap at center front with no buttons, but I may eventually add some. I also tacked on some pretty antique lace to both the collar and cuffs.

My skirt has a wide 13 foot circumference at the hem and is knife pleated into a simple twill tape waistband with ties on both the left and right side (which I actual wrap around and tie in front and back). This kind of skirt can get a lot of mileage with both my 18th and 19th century costumes as a petticoat. 

The red sash I’m wearing at my waist (which i realize is hard to see!)  is made of left over red velvet from Bea’s hooded cape. I love how rich and old fashioned red velvet looks and I’m glad i could make use of some scraps! It’s all pined into place!

Breakfast Tray

Lastly I found a little wooden tray at the thrift shop which I painted blue just like Kirsten’s. I didn’t do any baking just for this photoshoot - I’m low on saffron for my lussekatter, so I’ll save it for making my Lucia buns on the actual day. We plan on having breakfast by candlelight on Decemeber 13th with my parents and then opening presents. Now that my children are getting bigger the yuletide season seems all the more magical! No matter how you celebrate, we wish you Happy Holidays!! 

The Kirsten Project | Saint Lucia through the Ages

Saint Lucia Kirsten Inspo.jpg

Kirsten’s holiday story Kirsten’s Surprise centers around her family’s tradition of celebrating Saint Lucia’s Day - a solstice celebration of light honoring Santka Lucia. The holiday took hold during Sweden’s Catholic period somewhere between 1000-1500 and is still honored today with parades and family celebrations on December 13th. If you’re thinking, wait! the winter solstice is on December 21st! (my birthday!), you’re right. There was a change from the Julian calendar to the Gregorian calendar for Sweden (and the US/UK) in the mid 18th century, which essentially pushed the calendar forward to account for leap days.

Kirsten's Surprise.jpg

In Sweden, the eldest daughter in each family wakes before dawn and brings a breakfast tray to her family members in the dark, wearing a white (night) gown, red sash at the waist and a crown made of lingonberries and branches with candles glowing. Kirsten’s family celebrated St. Lucia’s day as the start of the Christmas season but her Swedish American cousins have since lost the custom. After a snowy all night adventure to town with her papa to retrieve the family’s trunks and Swedish heirlooms, Kirsten is able to play the part of St. Lucia on December 13th.

For my Saint Lucia costume I’m taking my cues from the artwork in Kirsten’s Surprise, illustrated by Renée Graef but looking through historical photos and illustrations made me so excited for my family’s own St. Lucia’s Day breakfast! Click on any image to view larger!