The Kirsten Project | 200 Years of Gingham

Gingham Timeline copy.jpg

Allow me to zoom out from the 1850s for a moment to consider a fashion trend that has revived itself over and over again during the course of the past two hundred years. Thus far in The Kirsten Project, my research has shown me that a lot of what was popular in the 1980s (when the original Pleasant Company characters were created) made it’s way into the design of the dolls. Take for example Kirsten’s hair and more specifically her bangs. Something we rarely see in the mid 19th century, but something very popular in the 80s and 90s. Or what about the Fana sweaters (worn during Changes for Kirsten) that get a mention in the 1983 New York Times. Kirsten’s Meet dress is a shade of musty blue that was all the rage in the 1980s. It’s in these details that one sees how the time period when the character was created is subtly infused into her historic 1850s timeline.

When I began to dig deep into the pink checked fabric of Happy Birthday, Kirsten!, I was both surprised and delighted to see that gingham wasn’t just an 1980s thing, or an 1850s thing - it’s been a trend in fashion on and off for at least 220 years!

What makes a fabric gingham? It’s pattern is created by weaving together two different colors of fine yarn to produce a lightweight fabric that’s reversible (and can be cut from either side). This kind of layout produces two solid squares (one typically, but not always being white and a contrast color) and a blended square of the two (the white usually make it appear as a more pastel cousin to the contrast). It’s been made all over the world by a lot of different cultures, but for the sake of this post, I’m working from American and European examples. In fact, I finally found my fabric by searching vichy, the French term for this kind of fabric and indeed ordered it from a French supplier (although made in Japan - there’s a tradition of this weave there too).

Gingham dress descriptions also pop up in both adult and children’s literature repeatedly over the last 150 years, like the pink gingham dress made by title character and her kind aunt in Rebecca of Sunnybrook Farm, by Kate Douglas Wiggen in 1903.

Aunt Jane had won for Rebecca the pink gingham. Jane also showed her niece how to make a pretty trimming of narrow, white linen tape, by folding it into pointed shapes and sewing it down very flat with neat little stitches.

Doesn’t that sound a lot like the pointed trim of Kirsten’s birthday apron? I also learned through searching newspaper records that pink gingham dresses were required as a summer uniform for many women’s colleges in the 1850s and 60s (also ads for fabric at 6.5¢/yd in 1856 in North Carolina). I wonder if the 1850s example above could have been one such summer dress?!

Even with a light understanding of costume history, one knows that fashion repeats itself. What I think is really cool is with this example, a textile like gingham has applications in different forms for over two hundred years. Your mother’s dress could have easily been remade into your new bonnet (perhaps like in Meet Kirsten?) or cut into smaller pieces for a quilt (Happy Birthday, Kirsten!)

While looking at so many images of gingham I came across something else that I think you’ll find just as interesting as I did, but I’ll have to save that for another day. Until then… which decade catches your eye?

The Kirsten Project | Girls’ Dresses of the Mid 19th Century

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In the late 1820s, women’s fashion shifted from the once high empire waistlines (think Jane Austen era) back down to the natural position. From then until the 1860s, details like sleeves and necklines morph and change, but not as drastically as before or after that time period. A small waist and a wide skirt are the hallmarks of the better part of the 19th century. For children and young teens, one of the popular dress silhouettes we see relatively unchanged from 1820-1870 is the open neck, short sleeve, knee length dress as shown above and below.

It makes sense that if I dress isn’t threadbare by the time the wearer outgrows it, it would be passed on to a younger child. Our ancestors were pretty good at making precious clothing last and unlike today, nothing was disposable. Even the most ratty fabric could be recycled and sold to the Rag and Bone man, who would in turn sell it to a factory to be remade into new (albeit low quality) fabric, called shoddy.

So while women’s sleeves, waist shapes (flat versus pointed) and necklines shift, we see at least one girl’s silhouette remain relatively static. This style of dress, characterized below, is what I imagine a historical version of Kirsten’s birthday dress might be:

  • Wide Neckline

  • Gathered Bodice into Waistband

  • Short Sleeves

  • Knee to Mid Calf Length Hem

I have seen examples of this style of dress worn plain or layered over a undersleeves with a chemisette or a blouse. Sometimes the pantelettes are matching, but primarily they are white. Accessories like lace gloves appear on upper class children.

It should be mentioned that this isn’t the only girls’ dress silhouette of the mid 19th century, but it is very common. For my costume, I’ve chosen an adult silhouette that echos some of these style details (here’s an early sketch!) Do you see something in these images that reminds you of Kirsten’s birthday dress?

The Kirsten Project | Think Pink for Mid 19th Century Fashion

Fashion plate from le bon ton, 1857

Fashion plate from le bon ton, 1857

Throughout the mid 19th century (1840s-1860s), pink was a popular color for both women and girls. Here I’ve posted plates from as early as 1846 up through 1962. In Happy Birthday, Kirsten!, our main character wears a pink and white short sleeve dress, with a raised hemline, both typical of a child or young teen’s silhouette. I’ll be going into more depth with style details and fabric in future posts but for now, think pink!

Girl’s Dress C 1845, Toddler Dress Close Up, 1830-1850s, Jumeau Doll Dress 1842-1856, toddler’s pink gingham dress 1860

Girl’s Dress C 1845, Toddler Dress Close Up, 1830-1850s, Jumeau Doll Dress 1842-1856, toddler’s pink gingham dress 1860

clockwise from top left: Le moniteur de la mode 1846, le follet 1862, journal des demoiselles 1848, le bon ton1855

clockwise from top left: Le moniteur de la mode 1846, le follet 1862, journal des demoiselles 1848, le bon ton1855

Here are a few more extant pink styles, both for women and girls. These have been a huge inspiration for how I can interpret Kirsten’s dress into an adult style!

The Kirsten Project | Happy Birthday, Kirsten!

Kirsten Birthday 3.jpg

It’s a new year and it’s time for another edition of The Kirsten Project! I’ve already recreated her looks from Meet Kirsten, Kirsten’s Surprise and Changes for Kirsten and for this version, I’m taking inspiration from Happy Birthday, Kirsten!


LITTLE JESS around age 10, wearing a mom-made birthday dress and apron, a gift I received for my own tenth birthday, just like kirsten!

LITTLE JESS around age 10, wearing a mom-made birthday dress and apron, a gift I received for my own tenth birthday, just like kirsten!

The mission of The Kirsten Project is to study and recreate each cover illustration and corresponding outfit through a cultural and historical lens. I’m not doing a carbon copy - rather using the Pleasant Company books and material culture together with research such as fashion plates, extant dresses and daguerrotypes to inspire my costumes.

In my first three outfits I stayed pretty close to the Pleasant Company source material, making allowances for style differences between girls and women (primarily making the skirt hems longer) and my fabric choices (for example, for my Meet costume I used the color story in a print I designed to scale better for an adult dress).


ORIGINAL COVER OF HAPPY BIRTHDAY, KIRSTEN! by Janet Shaw, ILLUSTRATED by RENÉe Graef

ORIGINAL COVER OF HAPPY BIRTHDAY, KIRSTEN! by Janet Shaw, ILLUSTRATED by RENÉe Graef

This time, I’m planning on taking a slightly new approach to Kirsten’s springtime dress. As you can see in the gorgeous cover art illustrated by Renée Graef, she wears a puffed sleeve pink gingham dress with a white pinafore, red boots and flower crown.

If you look at each of the first four historical characters’ birthday dresses, a common thread is the feminine and fluffy style. For example, Felicity, Kirsten and Samantha all wear pink dresses with aprons or pinafores layered on top and flowers in their hair. The original American Girls, Kirsten, Samantha and Molly all have some sort of gathering or ruffles on their dresses. And yet, of all of those four characters, because of her circumstances (penniless immigrant pioneer farm daughter), Kirsten would have probably been least likely to get a special dress just for her birthday, or even just for the spring season. I know I know. Part of the fun of the American GIrl books and dolls are new occasions and the special new outfits but if history is speaking, it’s unlikely Kirsten would have enjoy such an ensemble. And yet, the costume still reflects to the era and I’m so excited to show you how I plan to interpret this into my costume.

Birthday.jpg

So here’s how this edition is going to be different…

I’ve spent a lot of research time on the everyday practical dresses of the mid 19th century, so I’d like to change lanes and use the cover look of Happy Birthday, Kirsten! to explore the fashion trends of the 1850s. I’ll stay true to the pink and white color scheme but interpret Kirsten’s childlike silhouette into something that a stylish adult woman could have worn.

In the next few weeks I hope to source and order the 8-12 (!!!) yards of fabric I need for the dress I’ll be creating, plus flowers, boots, accessories, and baby kittens (jk). My previous costumes were made thanks to the very generous financial support of my friends and readers and if you’ve enjoyed my work, I’d really love your backing on this edition too. It means so much to me to have your words of encouragement and patronage on this project!

You can chip in any amount via venmo.com/jessicajquirk or paypal.me/whatiwore

Between now and the final costume reveal, I’ll be posting my research here on my blog, which will aim to give background context to the choices I’ve made in the end look. Thanks for joining me with The Kirsten Project! I’ve loved every second of planning, creating and sharing it with you!

My original copy of happy Birthday, kirsten! with my original pleasant company doll’s dress. the flower crown is homemade.

My original copy of happy Birthday, kirsten! with my original pleasant company doll’s dress. the flower crown is homemade.